Ashley Bickerton - Episode 71

Ashley Bickerton makes sculpture, assemblages and painting-like objects that reference the grotesqueness of commodification and consumerism. Ashley talks about how a work of art can hold contrasting meanings, avoiding typecasting and being fluid with his artistic language, pacing an art career and gallery relationships as business arrangements—not friendships, operating on the edge of the contemporary art world, how a harmonious homelife allows him to flourish in the studio, being diagnosed with ALS and researching new ways to make art, mortality and the beauty in each day, and preferring ideas and dreams to the crud and muck of our physical word.

 View Ashley’s work HERE

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Ashley Bickerton

Rodrigo Valenzuela - Episode 67

Rodrigo Valenzuela makes photographs, video and installation-based works that consider the value of labor, the language of modernist architecture, and the inefficiency of bureaucracy. Rodrigo talks about how ideas are born out of his process and making, poetic formalism as a layer in his work, getting out of his own way and second guessing as a healthy thought exercise, reading as a key part of his practice, and how friendships and support systems can strengthen an artist’s work. This episode was organized, facilitated, and recorded by artist Matt Rich.

View Rodrigo’s work HERE.

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Nikita Gale - Episode 65

Nikita Gale makes sculpture and installation-based work that explores the exchanges and barriers between audience and performer. Nikita talks about how artwork can influence group behavior, protest and dissent as performance, research as a way to pull out ideas, noise and silence as social and political positions, the similarities between studio visits and dating, maintenance and mind-body awareness, and art as an open invitation.

View Nikita’s work HERE

Nikita’s culture recommendation: Stories of Your Life and Others, by Ted Chiang  

Nikita Gale/Private Dancer at California African American Museum through May 9, 2021

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Nikita Gale, Ruiner 1, 2020

Nikita Gale, Ruiner 1, 2020